- Stephen Wilson, Information Arts: Intersections of Art, Science,
and Technology (Cambridge, MA: The MIT Press, 2002)
- see, especially:
Chapter 6: Telecommunications; Chapter 7: Digital Information
Systems/Computers
An epic survey and discussion.
- N. Katherine Hayles, How We Became Posthuman: Virtual Bodies in
Cybernetics, Literature, and Informatics (Chicago: The University
of Chicago Press, 1999)
- Traces the evolution of the notion that information is primary and
embodiment is irrelevant, in science and literature.
- Roland Barthes, Image-Music-Text (New York: Hill and Wang,
1988)
- see, especially: "Change the Object Itself"
- Roland Barthes, Mythologies (New York: Farrar, Straus &
Giroux, 1990)
- Paul Virillio, "The Art of the Motor," The Art of the
Motor (Minneapolis: University of Minnesota Press, 1995)
- Lynn Hershman Leeson, ed., Clicking-In:Hot Links to a Digital Culture
(Seattle: Bay Press,1996)
- see, especially:
Söke Dinkla, "From Participation to Interaction: Toward the
Origins of Interactive Art"
Rudolf Frieling, "Hot Spots: Text in Motion and the Textscape of
Electronic Media"
- Scott McLoud, Understanding Comics (New York: HarperCollins,
1994)
Amazon.com
buying info Postmodern Currents Art and Artists in the Age of Electronic
Media
Mapping
- Donald Turnbull, Maps Are Territories: Science is an Atlas
(Chicago: The University of Chicago Press, 1993)
- Ken Knabb, ed. and trans., Situationist International Anthology
(Berkeley: Bureau of Public Secrets, 1981)
- Psychogeography resources:
Theory of the Dérive
Introduction to a Critique of Urban Geography
Report on the Construction of Situations and on the Inernational
Situationist Tendency's Conditions of Organization and Action
Definitions "psychogeography: The study of the specific
effects of the geographical environment, consciously organized or not,
on the emotions and behaviors of individuals.
- Mark Monmonier, How to Lie with Maps (Chicago: The University
of Chicago Press, 1996)
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